Royal Opera House: Die Zauberflöte (2015)

Featured Reviews

Excerpts

This was the first time I had heard his Pamina, Jania Brugger, but I very much hope that it will not be the last. Her performance balanced dignity and beauty of tone in properly Mozartian manner, her second-act aria an object lesson in pathos without exaggeration.
– Mark Berry, Seen and Heard International

Soprano Janai Brugger, a newcomer to the Royal Opera whose performance, both vocal and physical, is more than promising; she offers a Pamina of unflawed tonal clarity and subtle colouring, beautifully shaded in detail, and like Spence she looks the part as well as proving a fluent actor.
– George Hall, The Guardian

Amongst the discoverie of the evening in vocal terms, the most promising was Janai Brugger, making her house debut as a lustrous Pamina; singing with directness and sweetness of tone yet with an edge to her phrasing, she resembled the unforgettable Ileana Cotrubas in this role.
– Melanie Eskenazi, Music OMH

Pamina turns out to be the real hero. Making her Royal Opera debut, Janai Brugger made a strong impression in the role, her creamy soprano well inflected in the aria “Ach ich fühls”, her very fast vibrato adding to her sense of vulnerability. She brought a sense of pathos and calm dignity.
– Mark Pullinger, Bachtrack

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